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Greeting Patronage

Wolfgang Schäuble (c) Deutscher Bundestag/Achim Melde
Wolfgang Schäuble (c) Deutscher Bundestag/Achim Melde
E.T.A. Hoffmann knew that “where language ends, music begins”. And he is right: music moves us human beings in our innermost being. It is a universal phenomenon – music is as diverse as our world. But wherever it is heard, it brings forth memories and feelings. It is also a piece of home which we carry within us. When people move between countries and cultures, music travels with them. It creates identity and cohesion, overcomes interpersonal hurdles and cultural divides. It arouses curiosity and invites people to join in. The MitMachMusik initiative uses this unique power of music to open up ways for refugee children and young people to playfully grow into our society. They are guided by musicians who have experienced the fate of flight themselves. For teachers and students, making music together is the key to enabling encounters, experiencing recognition and participation. As patron, I support MitMachMusik in building musical bridges and strengthening togetherness in our country – piece by piece, note by note and bar by bar.

Dr. Wolfgang Schäuble
President of the German Bundestag (retired)
and patron of MitMachMusik e.V.

 

Ambassadors

Zohre Esmaeli

Model & Entrepeneur

Günther Jauch

TV presenter

Barry Kosky

Director of the Komische Oper Berlin

Rolf Kühn

Jazz musician and composer

Prof. Dr. Norbert Lammert

President of the German Bundestag (retired)

Sir Simon Rattle

Music Director of the London Symphony Orchestra

Sir Donald Runnicles

Music Director of the Deutsche Oper Berlin

Christine Schäfer

Opera singer

Board

Pamela Rosenberg

Marie Kogge

Michael Pietzcker

Team

Mohamad Mir Ali

Violin and Viola

Sophia Baltatzi

Violin

Raquel Alves

Singer

Tatjana Bartsch

Cordination

Azadeh Azimi

Singer

Zuriel Bermúdez Cisne

Site manager Berlin-East, Violin

Jenny Marielle Dilg

Viola

Barbara Gateau

Violin

Ehrengard von Gemmingen

Site manager Berlin-South, Cello

Isabelle Herold

Music Club

Christiane Herrmann

Site manager Berlin-South II, Music Club

Alan Ibrahim

Site Manager Potsdam, Guitar

Johannes Kain

PR and Fundraising

Philipp Kammen

Guitar

Heidrun Klebahn-Bier

Violin

Ido Nahmias

Music Club, Flute

Elwend Sofi

Guitar

Leonor Rodrigues

Site manager Berlin-West, Violin

Kathrin Sutor

Cello

Özüm Semis

Viola

Aleksandra Anna Walczak

Cello

Our Peters

Peter Kuttner

Peter Hauber

Locations

Berlin-Map-Potsdam-Edited

History

In 2015, more than 300,000 children and young people fled to Germany. According to the principle “Our children are our future”, it was logical to say: “Refugee children are also our future”, because only if we succeed in integrating these children emotionally, linguistically, culturally and intellectually into our social system can they develop into valuable participants in our society.

In April 2016, committed citizens, including professional musicians, doctors, music teachers and music educators founded the non-profit association “MitMachMusik – ein Weg zur Integration von Flüchtlingskindern e.V.”. In this initiative, musicians make music together with refugee children and young people and thus communicate in a language that everyone understands. In 2018 when we starting including German students in our group lessons, we shortened our name to „MitMachMusik—ein Weg zur Integration“. In recent years, our association has grown considerably and we now teach children and young people at 14 locations in Berlin and Potsdam.

Today, however, MitMachMusik is still first and foremost a group of musicians and music educators, often of international origin, who believe in this idea of communication through music and who use their work, their skills, their experience and their free time to pursue this goal.

Bürgerhaus am Schlaatz
Cronstett- und Hynspergische evangelische Stiftung zu Frankfurt am Main
Das Leben fördern
Deutsche Postcode Lotterie
Deutsche Orchesterstiftung
IPPNW-Concerts
Kammerakademie Potsdam
Kultur mach Stark Bundesministerium für Bildung und Forschung
Kogge Gateau Stiftung
Land Brandenburg
Losito Kressmann-Zschach Foundation
Lotto Stiftung Berlin
Musik für alle!
Nikolaisaal Potsdam
Oskar.
Rechenzentrum KunstundKreativhaus
Rudolf Augstein Stiftung
Stiftung Genshagen
Stiftung Paretz
Swiss Life
Ursula-Fischer-Schwanhäußer-und-Gebhard-Schönfelder-Stiftung
Wilhelm von Türk Stiftung

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Zohre Esmaeli © Nina Bangemann
Zohre Esmaeli © Nina Bangemann
„MitMachMusik is an integration method that works without words and brings people together. Music and art build unique bridges for refugees and the children in particular can use it to better process their difficult journey. I am very happy about this wonderful offer, and I have the greatest respect for the voluntary commitment“

Zohre Esmaeli

Model and Entrepreneur

Günther Jauch ©RTL/Stefan Gregorowius
Günther Jauch ©RTL/Stefan Gregorowius
“I support MitMachMusik because I see that something beautiful and unifying is being created here, which negates mutual prejudices. That’s important, especially in times when populist world views make living together difficult”

Günther Jauch

TV presenter

Barry Kosky © Jan Windszus
Barry Kosky © Jan Windszus
“The great thing about making music is that the universal language of music can be spoken across all geographical borders. At the same time, when we make music, we always meet in a certain place at a certain time, indeed we are rooted in the here and now. These are two perfect conditions for building community beyond our respective origins. And this is exactly what MitMachMusik does!”

Barry Kosky

Director of the Komische Oper Berlin
Rolf Kühn © Jens Herrndorff
Rolf Kühn © Jens Herrndorff
„I support MitMachMusik because when people make music together, any kind of boundaries that can separate people from each other are literally overcome in a playful way – no matter what skin colour or religion you have or what language you speak. What could be more beautiful?“

Rolf Kühn

Jazz musician and composer

Norbert Lammert © KAS
Norbert Lammert © KAS
“Making music together makes the refugee a fellow citizen. MitMachMusik makes an important contribution to this.”

Prof. Dr. Norbert Lammert

President of the German Bundestag (retired)
Simon Rattle © Oliver Helbig
Simon Rattle © Oliver Helbig
“The MitMachMusik project is doing an extraordinary job of using our art to bring new communities together and it is providing some of the most important outreach taking place in this challenging time. I admire what they are doing enormously.”

Sir Simon Rattle

Music Director of the London Symphony Orchestra

Donald Runnicles © Simon Pauly
Donald Runnicles © Simon Pauly
“I am an enthusiastic supporter of MitMachMusik because making music together brings people together and inspires them so much. It is a remarkable project.”

Sir Donald Runnicles

Music Director of the Deutsche Oper Berlin

Christine Schäfer © Bodo Vitus
Christine Schäfer © Bodo Vitus
“Passing on our love of music, reaching people with it, connecting people – that’s our job. MitMachMusik does exactly that and much more. This is where the world becomes a better place.”

Christine Schäfer

Opera singer

Pamela Rosenberg (c) privat
Pamela Rosenberg (c) privat

Pamela Rosenberg

„The children arrive here and are speechless. We give them a voice through their own actions.“

Pamela Rosenberg, born in Los Angeles in 1945, after studying history, literature and musicology at the University of California at Berkeley and history at Ohio State University, completed courses in opera directing at the Guildhall School of Music and Drama in London before receiving her stage management diploma at the London Opera Centre. She gained practical experience in musical theatre in master classes with Wieland Wagner in Bayreuth, among others. As a director she has carried out various opera projects.

From 1980 to 1987 Pamela Rosenberg was an associate of Michael Gielen and a member of the management at the Frankfurt Opera before moving to the Deutsches Schauspielhaus Hamburg as operations director, where she worked with Peter Zadek. From 1988 to 1990 she was Manager of Artistic Affairs at the Netherlands National Opera in Amsterdam and from 1991 to 2000 she was Co-Intendant to Klaus Zehelein at the Stuttgart State Opera. From 2001 to 2006 she was General Director of the San Francisco Opera. She was then artistic director of the Berlin Philharmonic until 2010. She then worked as Dean at the American Academy in Berlin until 2014 and has since been associated with the Institute in an advisory capacity as Senior Program Consultant.

Pamela Rosenberg was Deputy Chair of the Senate of the Berlin-Brandenburg Academy of Sciences and Humanities from 2010 to 2018. She is a member of the Supervisory Board of the Barenboim-Said Academy in Berlin and a member of the Board of the Liz Mohn Culture and Music Foundation and the Karajan Academy of the Berlin Philharmonic Orchestra. She has served on the University Council of the Albert Ludwigs University College of Music in Freiburg, the Supervisory Board of the University of California, Berkeley Foundation and the Advisory Board of the Cogut Institute for the Humanities at Brown University and is a jury member of the Credit Suisse Young Artist Award, and the Herbert von Karajan Young Conductors Award of the Salzburg Festival and The Mahler Conductor Competition.

Marie Kogge (c) Peter Theis
Marie Kogge (c) Peter Theis

Marie Kogge

„We believe that music makes it possible to experience human togetherness.“

Marie Kogge, born into a Berlin family of musicians in 1966, studied violin at the Berlin University of the Arts from 1986 to 1993 after graduating from the Rudolf Steiner School. She gained her first professional experience as a violinist with the Deutsche Kammerakademie Neuss and the Orchestre Philharmonique Strasbourg in France before returning to Berlin as a freelance musician. There she became co-founder of the chamber music formation Ensemble Incendo Berlin in 2000. Marie Kogge teaches freelance violin and initiated the school subject “Music in Ensemble” at the Potsdam Waldorf School. For ten years, she has led the two school orchestras that emerged from this. The concept of MitMachMusik was largely developed from her experiences with her students and making music together.

Michael Pietzcker (c) privat
Michael Pietzcker (c) privat

Michael Pietzcker

“Music is a bridge to each other. Let’s make it possible to build bridges.”

Michael Pietzcker is a lawyer and notary in Berlin with a focus on cross-border legal transactions. Therefore, he is professionally familiar with many situations that – from a German perspective – concern foreign legal systems and mentalities. Music has always been his favourite hobby; since his school days he has sung in choirs, sometimes semi-professionally. For many years he was chairman of the Friends of the RIAS Chamber Choir in Berlin, which, among other things, conceives and organises a concert series for this professional choir. He is a recipient of the Officer’s Cross of the Ordine al Merito della Repubblica Italiana. He has been a member of the Board since 2018; he looks after finances and legal internal and external relations.

Mohamad Mir Ali

Violin and Viola

Violist Mohamad Mir Ali founded a music academy in Damascus in 2013 after completing his studies at the music academy there and directed it until 2015. In Germany, he worked as a musician and music educator for the Malteser Hilfsdienst and the Freiwilligenzentrum-Mittelhessen and has led music workshops for integration classes, among other things. Mohamad has played with many orchestras, such as the Mittelhessen Chamber Orchestra and the Wetzlar Chamber Orchestra. MitMachMusik especially appreciates Mohamad’s twelve years of experience as a music teacher.

Sophia Baltatzi

Violin

Sophia Baltatzi studied violin in Thessaloniki and Berlin. In 2014, she completed a Master’s degree in Musicology at the Free University of Berlin. In addition to her engagement with the Berlin Symphony Orchestra, she is a member of the ensemble Oiseaux Bizarres and participates in music recordings for films, theatre and TV. As a stage musician, Sophia Baltatzi has performed at the Berliner Ensemble and the Deutsches Theater, Berlin, among others. At MitMachMusik she teaches violin at the Spandau location.

Raquel Alves

Singer

Raquel Alves is a classical singer and music teacher. She completed her vocal training at the Hanns Eisler University of Music Berlin with Prof. Renate Faltin and since 2021 she has been studying for an artistic-pedagogical master’s degree at the UdK Berlin in elementary music education/rhythmics. She has performed in various opera productions, solo concerts and recitals in Portugal, Italy, France and Germany and has been a guest in several international concert halls. In addition to her artistic activities, she has taken part in social and voluntary projects in which she has sensitised children from different social contexts to music, dance and theatre. She teaches classical singing and early music education privately and in several music schools and institutions, and organises children’s concerts in which she often participates as a presenter and/or singer. She runs the music club in the shared accommodation facilities Freudstraße and Pichelswerderstraße in Spandau. 

Tatjana Bartsch

Coordination

Tatjana Bartsch studied law and cultural management and brings to MitMachMusik her many years of experience in project management, fundraising and support associations, which she gained at the Jewish Museum Berlin, among other things, in setting up the Development & Marketing department and in donor acquisition and retention. Before joining MitMachMusik in 2016, she worked for the Freundeskreis at HAU Hebbel am Ufer.

Azadeh Azimi

Singer

Azadeh grew up in Iran. In a country where playing instruments and musical education – especially for women – are strictly regulated by the Islamist regime, she learned to sing, play the piano and music theory mainly by herself. In 2000, out of a passion for music, she founded the choir Samat at the University of Shiraz. Because the human voice is the musical instrument that everyone has in common, that doesn’t draw attention to itself and that you can take with you everywhere. With the Samat Choir, Azadeh won the prize for the best choir in Iran at the Fadjr International Music Festival. She has given many concerts with German musicians in Iran and has also performed at the Berlin Philharmonie, among other venues. Since 2018, Azadeh has been studying music to become a teacher at the University of the Arts (UdK) in Berlin. At MitMachMusik she gives singing lessons and leads the singing ensemble.

Zuriel Bermúdez Cisne

Site manager Berlin-East, Violin

Born in Managua, Nicaragua, Zuriel Bermúdez Cisne graduated from the UPOLI Conservatory of Music as a violinist. Zuriel has performed with various orchestras including: National Orchestra of Nicaragua, UPOLI Chamber Orchestra; he was also a founding member and concertmaster of the Rubén Darío National Theatre Youth Orchestra and Camerata Bach.

Zuriel has participated in many international camps and youth orchestras. His participation in the Orchestra of the Americas (YOA) deserves special mention, as this gave him the opportunity to play in more than 20 countries in America and Europe. Likewise, he was part of the YOA Global Leaders project, where he conducted an educational initiative in Ecuador. With this experience, Zuriel discovered his passion for musical education. As a violin teacher at the UPOLI University Conservatory and the Nicaraguan Academy of Music, he has worked with children and youth at the elementary level. In 2016, he took over the coordination of the strings section in a project on violence prevention through music (Nicaraguan Cultural Forum).

In 2019, Zuriel decided to move to Germany with his wife. He is currently a music teacher at the Musikschule Fröhlich Berlin and a MitMachMusik site manager in East Berlin. His interest in helping people through music led him to begin his studies in music therapy.

Jenny Marielle Dilg

Viola

Jenny Marielle Dilg is doing her doctorate at the Staatliche Hochschule für Musik und Darstellende Kunst Mannheim and works as a violist with the Deutsches Filmorchester Babelsberg.

She previously studied viola, music education and psychology in Berlin, Geneva and Poznań. Concert tours have taken her throughout Europe and Asia.

Barbara Gateau

Violin

Barbara Gateau has been working as a violin maker in Berlin for more than 20 years. She has played the violin and viola since childhood, and finds a balance to her workshop work in orchestra and chamber music. From the beginning, she was enthusiastic about making music together with the children and adult refugees and the energy and joy that comes from it. At the Potsdam location, she supports the string group. She also looks after the instruments of the association.

Ehrengard von Gemmingen

Site manager Berlin-South, cello

Ehrengard von Gemmingen received her training at the University of the Arts with Prof. Wolfgang Boettcher, with the Amadeus Quartet at the Royal Academy of Music in London and as a Leverhulme Fellow with the Tokyo String Quartet at the School of Music at Yale University (USA). Her orchestral experience is very varied: Ehrengard von Gemmingen played in London with the Royal Academy Soloists and the London Sinfonia and was a member of the European Chamber Ensemble in London. She performs regularly with the European Community Chamber Orchestra and is a founding member of the Ensemble Incendo Berlins.

Isabelle Herold

Music Club

Isabelle Herold studied flute in Hanover and Montreal. Her special interest is the performance of new music. She performs with various ensembles and has given numerous premieres of contemporary works. Together with the Potsdam-Mittelmark District Music School and funded by “Kultur macht stark – Bündnisse für Bildung”, she has conducted several music projects with refugee children since 2014. Isabelle supports the team in Potsdam and leads the Music Club there.

Christiane Herrmann

Site manager Berlin-South II, Music Club

Christiane Herrmann studied music at the former Hochschule für Musik (now UdK), Berlin. She worked for several years with the “Young Friends of the Salzburg Festival” as a voice coach and concert dramaturge, and made the music for the Salzburg “Youth Everyman”. Christiane was head of the music department in Berlin’s school service and was responsible for the supervision of music in the Berlin Senate Education Department for ten years. Since summer 2018, she has been volunteering for MitMachMusik in Finckensteinallee in Lichterfelde and lends a hand where needed.

Alan Ibrahim

Location manager Potsdam, guitar

Born in Syria, Alan Ibrahim first studied at the International Guitar Academy, Berlin and currently at the University of the Arts, Berlin. He was also a member of a guitar ensemble under the direction of Prof. Dr. Thomas Offermann. His musical education was supplemented by master classes with Marcin Dylla and Aniello Desiderio, among others, as well as trainings and workshops at the organisation Musicians Without Borders. He has been working at MitMachMusik since the beginning of 2016, and leads the guitar ensemble for children and young adults, which he founded himself. He is also the head of the guitar department and one of the site managers in Potsdam.

Johannes Kain

PR and Fundraising

Johannes Kain studied history, art history and general and comparative literature. He is a fully qualified lawyer and certified PR consultant and has several years of experience in German and Austrian agencies and companies, in purely private sectors as well as in the subject areas of culture and politics. Since 2018, he has been supporting MitMachMusik in the areas of public relations and fundraising.

Philipp Kammen

Guitar

Philipp Kammen has been playing the guitar since he was six years old and quickly noticed the joy of teaching his friends to play the guitar. He studies musicology with a focus on education at the Humboldt University in Berlin. He has been teaching at MitMachMusik since May 2017. Initially in the accommodation at Hohentwielsteig, later also at the Dahlem location.

Heidrun Klebahn-Bier

Violin

Heidrun Klebahn-Bier studied school music (specialising in violin and conducting) and Protestant theology in Heidelberg and taught for many years at grammar schools in Mannheim, Berlin and Potsdam. She is now active in vocational school work and leads seminars on current political topics and value education. She came to MitMachMusik through her voluntary work supporting refugees and has been helping the team in Potsdam ever since. She shares her joy of music with the children and young people by making music together and teaching the violin.

Ido Nahmias

Music Club, flute

Ido Nahmias from Tel Aviv first learned guitar and flute before discovering his love for the clarinet. In Israel, he attended the Composing, Arranging and Conducting programme at the Rimon School of Contemporary Music. He later moved to Berlin, where he received private lessons on the clarinet for many years. Ido is a great jazz enthusiast and plays in various swing bands in addition to orchestras and chamber music ensembles. Ido has been teaching clarinet at private music schools in Berlin for five years. At the same time, he is training to become a psychological psychotherapist. Ido runs the music club at the KOMPASS location in Hellersdorf and teaches clarinet.

Elwend Sofi

Guitar

Elwend Sofi comes from Syria and grew up there in a well-known family of musicians. He started music lessons at the age of 13, which only lasted a short time due to the outbreak of war. In 2015, Alwand came to Germany and started learning the guitar. Since 2016, Elwend has been supporting the Potsdam team as an assistant.

Leonor Rodrigues

Site Manager Berlin-West, violin

As a child, Leonor Rodrigues had the opportunity to participate in an artistic-social project in Portugal, which gave her the first contact with music. This experience had a great impact on her and awakened in her a long-term interest in contributing to society as a violin teacher. Since 2016, she has studied “Artistic – Pedagogical Training” at the UdK Berlin; main subject violin with Prof. Axel Gerhardt as well as methods for group teaching with Oranna Sperber and Regine Schultz-Greiner. In 2017, together with colleagues at the UdK, she founded an inclusion project “Musik von allen Saiten” (Music from all strings), which uses methods from string classes and elements from rhythmics or music and movement to enable exchange between refugee and Berlin children. She has also gained experience as a project leader. She teaches string classes at the music school “STREICHERKLASSENpunktBERLIN”, at the “Musikschule Kladow” and at two high schools, among others, and often plays in the orchestra and chamber music ensembles. She has been the head of the Berlin West location since November 2021.

Kathrin Sutor

Cello

Kathrin Sutor was born in Rochester, USA and grew up in Germany. She studied music and cello at the UdK Berlin and at Indiana University Bloomington, USA. During her studies she played in the German Symphony Orchestra Berlin, was a member of the Indiana University String Quartet and principal cellist in the European Union Baroque Orchestra. As a cellist, Kathrin freelances and performs with the Akademie für Alte Musik Berlin, the Insula Orchestra Paris and in various chamber music ensembles. In order to be able to pass on her knowledge as a teacher, she also completed a degree in instrumental pedagogy. She has been a lecturer at the University of Potsdam since 2000. Kathrin Sutor has been music director at MitMachMusik since February 2021 and teaches at the Potsdam location.

Özüm Semis

Viola

Özüm Şemis, violist, was born in Istanbul in 1994. She graduated from the Barenboim Said Academy in 2021. Before studying in Germany, she worked at the Istanbul State Opera in 2016 and 2017. Both during and after her studies, she has played in various orchestras and ensembles in Germany, such as the West Eastern Divan Orchestra and the Boulez Ensemble. Since 2021 she has been working in the MitMachMusik-Team Berlin South as a violin and viola teacher and as a teacher in a Music Club.

Aleksandra Anna Walczak

Cello

Aleksandra Walczak has been playing the cello since the age of seven and studied successfully at the Poznan Conservatory of Music. There she also completed her training as a music teacher. During these studies and afterwards she played as a cellist with many well-known musicians and bands throughout Europe, including Deborah Sassone, Andrea Boccelli, Genesis (Ray Wilson) or the Electric Light Orchestra. Aleksandra has 14 years of experience as a music teacher through her various teaching activities for private students as well as teaching at music schools.

Peter Kuttner (c) privat
Peter Kuttner (c) privat

Peter Kuttner

“Music is a means of healing and integration.”

Peter Kuttner, a businessman from Munich with a degree in economics, worked as a managing director and entrepreneur in various large companies in the textile industry. After the fall of the Berlin Wall, he came to Berlin as a consultant for the new federal states and Russia. After a serious car accident, he retired from professional work at the end of the 1990s and has since concentrated his commitment on charitable projects, including “Germany rounds up”, refugee sponsors Syria and, last but not least, MitMachMusik. In addition to his work for the association, Peter Kuttner, together with his wife Bettina von Hardenberg, personally looks after refugee families with currently eleven family tribes and over 60 people. Thus, the von Hardenberg-Kuttner couple are not only grandparents of eight genetic grandchildren, but also have 35 migrant grandchildren and even two great-grandchildren already.

Pater Hauber (c) V. Vasu
Pater Hauber (c) V. Vasu

Peter Hauber

“You can’t make culture with politics, but maybe you can make politics with culture” Theodor Heuss

Paediatrician Peter Hauber has been organising benefit concerts on behalf of IPPNW for 36 years, always to counter the destruction of our earth with a piece of culture. At the end of 2015, the peak of the influx of refugees to Germany, he suggested to the German Music Council that, following the example of “El Sistema”, the hundreds of thousands of children seeking a new home in Germany should be given a perspective through music lessons. For him, this is a way to prevent these children from becoming socially marginalised and thus also a problem for us, “because not only our children, but also these children are our future”. His appeal came to nothing, the German Music Council did not feel responsible. Loosely based on Theodor Heuss, he founded the first “MitMachMusik” in Berlin with his colleague Martin Ross at the end of 2015 and has since organised four benefit concerts for the project. www.ippnw-concerts.de

Region Ost - Marzahn/Hellersdorf

Kompass Hellersdorf
Kummerower Ring 42
12619 Berlin
www.kompass-berlin.org/kinder/start

Gemeinschaftsunterkunft Paul-Schwenk-Straße
Paul-Schwenk-Str. 3-21

12685 Berlin

Gemeinschaftsunterkunft Albert-Kuntz-Straße
 
Albert-Kurtz-Straße 61 – 71
12627 Berlin

 

Leitung:
Bridget Kinneary
bridgetkinneary@mit-mach-musik.de

Region West

Gemeinschaftsunterkunft Freudstraße 8 
13589 Berlin

Gemeinschaftsunterkunft Pichelswerderstraße 3-5 
13597 Berlin

Familienzentrum Stresow 
Grunewaldstraße 7
13597 Berlin

 

Paul-Schneider-Haus 
Schönwalder Str. 23-24 
13585 Berlin

Leitung:
Leonor Rodrigues
leonorrodrigues@mit-mach-musik.de

Region Potsdam

AWO Kulturhaus Babelsberg
Karl-Liebknecht-Straße 135
14482 Potsdam
www.kulturhausbabelsberg.de

Bürgerhaus am Schlaatz
Schilfhof 28
14478 Potsdam
www.buergerhaus-schlaatz.de

Begegnungszentrum oskar
Oskar-Meßter-Straße 4-6
14480 Potsdam-Drewitz
www.oskar-drewitz.de

Rechenzentrum Kunst- und Kreativhaus
Stiftung SPI
Dortustraße 46
14467 Potsdam 
www.rz-potsdam.de

Leitung:
Marie Kogge
mariekogge@mit-mach-musik.de

Alan Ibrahim
alanibrahim@mit-mach-musik.de

Region Süd Musikclub (Levels I und II)

Standort-GemeinschaftsunterkunftNiedstraß

Gemeinschaftsunterkunft Niedstraße 1-2
(ehemaliges Rathaus Friedenau)
12159 Berlin

Gemeinschaftsunterkunft Finckensteinallee 41
12205 Berlin

Leitung:
Christiane Herrmann 
christianeherrmann@mit-mach-musik.de

Region Süd Instrumentenkreis und Ensemble (Levels III und IV)

Gemeindesaal der Evangelischen Kirchengemeinde Berlin-Dahlem
Faradayweg 13,
14195 Berlin

Leitung:
Ehrengard von Gemmingen
eggavongemmingen@mit-mach-musik.de

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(c) Peter Theis

Um ihre instrumentalen Fähigkeiten zu entwickeln und dauerhaft am Ensemble-Spiel teilzunehmen, brauchen die Kinder eigene Instrumente. Das eigene Instrument ermöglicht zudem das regelmäßige Üben und Spielen auch außerhalb der MitMachMusik-Unterrichte.

Nehmen Sie Kontakt mit uns auf.

Danke!

Norbert Lammert © KAS

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Level IV

  • Kinder und Jugendliche, die ihr Instrument gut genug beherrschen, können in das Ensemble aufgenommen werden. Das Erlernen des Orchesterspiels steht im Vordergrund. Der Einstieg ist immer zum Semesterstart möglich.
  • Lernziele: 
    • gemeinsamer geübter Beginn/Einsatz/Einatmen
    • Fähigkeit, im Puls mitzuschwingen
    • Orchesterrepertoire erlernen
    • Aufführungen als Ensemble
    • ein Musikstück alleine auf dem Instrument vortragen können
  • Format: Unterricht im Ensemble

Level III

  • Kinder und Jugendliche, die Level 2 erfolgreich abgeschlossen haben. Die Kinder bekommen ein eigenes Leih-Instrument, üben in Kleingruppen und erhalten Einzelunterricht. Der ein Einstieg ist immer zum Semesterstart möglich.
  • Lernziele:
    • Klang
    • Intonation
    • Rhythmus
    • Zusammenspiel
    • Dirigenten folgen können
    • Aufführungen als Ensemble und Solo
  • Formate: Einzelunterricht sowie Unterricht in Kleingruppen

Level II

  • Kinder ab acht Jahren, die die Fähigkeiten von Level 1 vorweisen können.
  • Lernziele:
    • Blockflöte kennenlernen
    • Noten lesen lernen
    • Rhythmus lesen
    • zweihändige Koordination
  • Format: Gruppenunterricht

Level I

  • Kinder ab fünf Jahren und jederzeit frei zugänglich.
  • Lernziele: erster Zugang
    • Rhythmus
    • Gehörtraining
    • Körperbewusstsein
    • Sprachförderung
    • erstes musikalisches Zusammenspiel mit den Möglichkeiten des eigenen Körpers
  • Format: Gruppenunterricht

Musiker Detail

About Us – EN

Greeting Patronage Wolfgang Schäuble (c) Deutscher Bundestag/Achim Melde E.T.A. Hoffmann knew that “where language ends, music begins”. And he is right: music moves us

LEVEL IV

  • Kinder und Jugendliche, die ihr Instrument gut genug beherrschen, können in das Ensemble aufgenommen werden. Das Erlernen des Orchesterspiels steht im Vordergrund. Der Einstieg ist immer zum Semesterstart möglich.
  • Lernziele: gemeinsamer geübter Beginn/Einsatz/Einatmen – Fähigkeit, im Puls mitzuschwingen – Orchesterrepertoire erlernen – Aufführungen als Ensemble – ein Musikstück alleine auf dem Instrument vortragen können
  • Format: Unterricht im Ensemble
  • Projekt
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  • Projekt
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    • Die Praxis
    • Die Methode
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SEL – was ist Social Emotional Learning?

Social Emotional Learning bedeutet:

Self awareness – die Wahrnehmung des eigenen Individuums

Self management – die Verantwortung für sich selbst und die Erreichung der selbstgesteckten Ziele

Social awareness – die Wahrnehmung als Individuum als Teil einer Gruppe
Relationship skills – wie man unterschiedliche Rolle annimmt und Beziehungen aufbaut. Jeder ist wichtig, jeder wird gebraucht!

Mit SEL, vermitteln wir unseren Schülern die Kompetenz, die sie brauchen, um ihr eigener Lehrer zu sein. Eine Fähigkeit, die sie nicht nur für das Erlernen eines Instrumentes benötigen.

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